in the life of mrs. mueller

Well, I guess I’m really going to do this (Taken with Instagram at Connecticut Bar Examining Committee)

Well, I guess I’m really going to do this (Taken with Instagram at Connecticut Bar Examining Committee)

Taken with Instagram at Harkness Memorial State Park

Taken with Instagram at Harkness Memorial State Park

Taken with Instagram at Harkness Memorial State Park

Taken with Instagram at Harkness Memorial State Park

atlanticinfocus:

From Olympic Preparations for London 2012, one of 45 photos. Olympic rings mounted on a barge are maneuvered to pass under Tower Bridge during a promotional event for the London 2012 Olympic Games, on the River Thames in London, on February 28, 2012. (Reuters/Andrew Winning)


Olympics this summer!

atlanticinfocus:

From Olympic Preparations for London 2012, one of 45 photos. Olympic rings mounted on a barge are maneuvered to pass under Tower Bridge during a promotional event for the London 2012 Olympic Games, on the River Thames in London, on February 28, 2012. (Reuters/Andrew Winning)

Olympics this summer!

(via theatlantic)

youmightfindyourself:

‘Composition with Double Lines and Yellow’, 1932 Piet Mondrian
This is one of the earliest of Mondrian’s so-called ‘tram-line’ paintings. Before 1932 he had used single lines but he began pairing them in order to achieve a sense of optical movement. He also began to extend the coloured areas over the edge of the canvas. In this painting, Mondrian created a perfect balance between the colour and the horizontal and vertical lines, so that no one element dominated. He painted with great precision, although he did so intuitively by trial and error, not through mathematical calculation.

youmightfindyourself:

‘Composition with Double Lines and Yellow’, 1932 Piet Mondrian

This is one of the earliest of Mondrian’s so-called ‘tram-line’ paintings. Before 1932 he had used single lines but he began pairing them in order to achieve a sense of optical movement. He also began to extend the coloured areas over the edge of the canvas. In this painting, Mondrian created a perfect balance between the colour and the horizontal and vertical lines, so that no one element dominated. He painted with great precision, although he did so intuitively by trial and error, not through mathematical calculation.